Stan Lee was a perfectionist and always pushing the medium to its extreme.
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As a matter of fact, the production of the series is presented throughout the Toon Boom user guide as a tutorial. The opening scene to Stan Lee's epic Web adventure The 7th Portal, presents a long pan and zoom that could easily have been created in Toon Boom Studio. You can use a motion path to map out where you want to move from one frame to another and you can add control points to this path to change its shape, changing the motion path the element will follow. You can lay out 2D drawings in a 3D space, simplifying the creation of depth and perspective. "Toon Boom Studio is very much about camera moves and effects that can be done in Flash, but really aren't its core functionality," says Mike Viner of Balloon Dog Studio. The camera work is perhaps the most impressive of these attributes. In addition to facilitating accuracy, Toon Boom Studio provides some other outstanding capabilities. Step 8: Camera output shows the final composition from the camera's view. Step 7: A Lypcsync drawing with audio sample. Step 5: Painting and drawing using dynamic color picking tools. They could have used familiar tools to find greater accuracy without such frustration and they could have presented their work to the talent in a more predictable form. The animators would still have had to consider the processing ability of their computer but they would have been in familiar territory. In both cases, Toon Boom would have brought a layer of great ease to these otherwise difficult situations. Burton's animators worked for days to meet his expectations and in the end, they did an incredible job of capturing the important moment by tweaking the frame rate and cheating the timing. The sound effect had to match the event otherwise the entire episode would be ruined. As the climax of the story, the timing had to be exact. In the first episode of Stainboy, evil Staregirl is defeated when an enormous light fixture falls on her head, creating a gory mess. However, there are some steps that can be taken and seasoned South Park animators Crispy and Todd, went to great lengths to insure precision. Low-end machines will have choppy animation no matter how accurate the original production. One has to consider the power of the audience's computer as well.
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Unfortunately, software cannot always control the quality of these variables. They insisted that whatever they created for the Web have precise mouth positions and movement.
Cartman is funny not just because of what he says but also because of how he says it. Matt and Trey swore by the importance of timing. They wanted to be certain the work they produced would be true to their vision, no matter what the circumstance. Facilitating AccuracyĪccuracy was a major concern for all of the Hollywood talent, especially during initial development. This must be how designers feel when they use Flash! Toon Boom Studio can still output to a format usable in Macromedia Flash, allowing one to add layers of interactivity. Not to mention it just feels more like an animation tool, with a rotating light table, exposure sheets and onion skinning. Designed by Toon Boom Technologies, this well-focused software offers increased drawing accuracy, better lip synching, 3D scene planning and camera effects. Toon Boom Studio was created for animators and serves as an ideal supplement to Flash. It was not created with the animator in mind. However, Flash is primarily a design application and although it does an incredible job of simplifying the animation process, it is by no means a traditional animation tool. Most people are familiar with Macromedia's popular vector-based design tool and for the most part Flash was the software of choice for these talented storytellers. Luckily, some of these issues were mitigated through the use of vector-based graphics. This presented a unique challenge for artists accustomed to twenty-six minutes of tightly synched dialogue. They discovered that online entertainment must be short form animation, with potentially very imprecise timing. Well, almost.įirst they had to contend with some pretty serious limitations. With the promise of an unprecedented audience, uncensored expression and unlimited capital, old world artists met new world technology with open arms. Adam Sandler, Matt and Trey, Jim Brooks, Tim Burton - they were all looking for their 15 Megs of fame. It's the summer of 2000 and the Web has seen more stars than the Hollywood Squares. Step 2: Onion skinning where we see the overlay of frames within an element. All images courtesy of Toon Boom Studio, a trademark of Toon Boom Technologies Inc. From sketch to animation using Toon Boom Studio.
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